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The initiative. The review was initially founded purely out of the need for an outlet. That is, as an independent response to various milieus caught up in the usual literary debates—those far from the critical interventionism practiced by Pasolini and the other intellectuals who didn’t go AWOL in the post-war years, during the boom and springtime that lasted from ’68 to ’77.

Late twentieth-century Italian literature (with the exception of the prehensile figure of Tondelli and a few others) ought to be approached warily, read with an eye to its underlying cowardice, so listless has its engagement in reality and social debates been. Storie was created in an almost physiological reaction to this state of affairs. A nod to new journalism and onwards and upwards. Hence, a magazine open to linguistic contamination and to the ideological role of literature, faithful to an authentically crossover vision of writing and thus far from academic snobbism. A sort of punk ‘education sentimentale’ for a generation of readers deprived of proverbs (and thus of precise roots) and dogmas.

That’s why Storie features previously unpublished texts by contemporary writers (Robert Coover, André Brink, T. Coraghessan Boyle, Giuseppe Pontiggia, Carlo Lucarelli, Niccolò Ammaniti, Alessandro Bergonzoni) as well as by other wordsmiths such as musicians (King Crimson’s Robert Fripp , Sonic Youth’s Thurston Moore, Eugenio Finardi, Teresa De Sio) and filmmakers (Francesco Rosi, Kevin Smith).

All this was summed up nicely by Lucio Caracciolo’s definition on the pages of L’Espresso: “Storie is a review of eccentric seriousness.”

The staff. Let’s start at the beginning. For some ten years now, Storie has been sponsoring “L’ora di scrivere”, a journalism and fiction writing workshop. Participation is possible via correspondence (with contributions by Tess Gallagher, Volker Schlöndorff, Mary Morris and many others) or “live” at Rome’s Palazzo delle Esposizioni, and the workshop is now in its thirteenth year with more than 1,800 students to date. And there you have it: this is Storie’s breeding ground. From the workshop—which necessarily shares the journal’s spirit—Storie has recruited its managing editor (Barbara Pezzopane), its editors (Roberto Santoro, Francesco Petruccioli) and a vigilant corps of collaborators from a wide variety of backgrounds—always welcome, provided they don’t go around insisting that Rilke is more important than Led Zeppelin. In short, the workshop guarantees an ongoing turnover in staff that keeps the magazine on its toes.

Our readers. We’re geared primarily towards those who haven’t been struck by lightning on the New Age path, who haven’t overdosed on author-icons (Borges, Calvino, Salinger) and who don’t go around insisting—yup, you got it—that Rilke is more important than Led Zeppelin. Like garlic and a crucifix for vampires, the best defense against homemade geniuses like these is a copy of “Tristram Shandy”—to put a damper on their conceit. Better a lifetime of Bartleby than half-an-hour of pseudo-Joyce, no?
Storie originally avowed: “this review is useless if you’re not curious.” Curious not about Storie but rather about the many stories it’s appropriate to collect here and there. Waning curiosity is one of present-day Italy’s great ills. The silent majority, cursedly, keeps growing.

What’s the point of publishing a literary journal today? If we may be so bold, we’d say the point is a transitive one, where the object of literature is reality. Many of us were subjected to an education based on comparative literary criticism, essentially ahistorical. As far as Storie is concerned, on the other hand, literature is an expression of the society that produces it. A quest. Something Vico, Taine and even Hegel cared about. You get my drift.
This explains why the journal features columns attuned to socio-political moods (The no comprendo, Frenzy); why it’s bilingual (Italian/English), in a position to challenge the provincialism that has us in its grip; and, finally, why it instinctively embraces para-literary disciplines (cinema, rock, comics, etc.). In our opinion, the only way to produce a literary magazine is by making it participate in reality, by starting with a very elementary question: asking not so much why it’s being published but who it’s being published for. In other words, creating a magazine that is useful, not tedious, to its readers.

Engaging them; letting them know we’re dedicated to them without ever betraying a publishing initiative attentive to the many different writing techniques.

Sicily has the Mafia, Calabria the ‘Ndrangheta, Puglia the Sacra Corona Unita and Campania the Camorra. Well, in big cities the salons reign supreme.

When all is said and done, they are the death of literature. Storie professes to fight these musty, frankly bourgeois, aperitif-bloated dens where erudition is essentially brandished, preferring to look toward a new kind a frontier. Where earth, wind and fire can demonstrate that culture isn’t one- but rather three-, many-sided. And, above all, that it doesn’t rhyme with sepulcher.


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About STORIE, a press book. STORIE is regularly advertised in La Repubblica, the weekly magazines Il Manifesto, Avvenimenti and Internazionale, and in several local daily magazines of the Editoriale L’Espresso.

L’Espresso, a leading weekly magazine, calls STORIE “a revue of eccentric seriousness, definitely innovative;” the third national channel (Rai 3) television news deems it a “fascinating cultural hodgepodge;” the daily newspaper La Repubblica (Italy’s most important, together with Il Corriere della Sera and La Stampa) calls it “a real crossover between a review and a book;” the satirical weekly magazine Cuore rejoices “finally a cultural review that isn’t boring;” Carlo Martinelli in the Alto Adige daily journal considers it “the best review published in years;” Igor Man in La Stampa daily journal proclaims it “a review of absolute originality.”

“Intensely alive and surprising and important” –Joseph McElroy
“Excellent… great work” –André Brink
“Extremely interesting” –Mary Morris
“Fascinating stuff” –Graham Parker
“Terrific” –T.C. Boyle
“The scholarship and care and minute details in the presentation are impressive” –Gerard Malanga

AUTHORS. Many renowned Italian authors that have participated in this cultural initiative: Edoardo Albinati, Marco Lodoli, Alessandro Bergonzoni, Roberto Cotroneo, Francesco Rosi, Teresa De Sio, Michelangelo Antonioni, Tonino Guerra, Michele Serra, Silvia Bre, Massimo Bucchi, Sandro Ciotti, Silvano Agosti, Mario Capanna, and many others.

STORIE has also published previously unpublished writings by Gregory Corso, Tess Gallagher, Charles Bukowski, Roland Topor, John Giorno and exclusive interviews with Tom Wolfe, Sam Shepard, Gabriel Garcìa Màrquez, Ernesto Sabato, Jorge Amado, Julio Cortazar, Tahar Ben Jelloun, Camilo José Cela, Claude Lévi-Strauss, Robert Doisneau, Najib Mafouz, Tess Gallagher, Lawrence Kasdan, Oliver Stone, Jack Nicholson.

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STORIE – all write
Writer’s Guidelines – 2003
“Truly, madly, deeply honest writing” 

• STORIE accepts high-quality literary fiction and poetry. More than erudite references or a virtuoso performance, what we’re interested in is the recording of a human experience in a genuine, original voice. 
• Multiple submissions are fine, however we do not accept simultaneous submissions and are looking for previously unpublished work only.
• We encourage writers to read a sample copy of the review (available on Amazon.com via our website www.storie.it ) before submitting.
• Individual texts should not exceed 1,500 words.
• Please send one printed-out copy of each manuscript, accompanied by a brief bio, e-mail and postal address to:

STORIE – all write
            Via Suor Celestina Donati 13/E
            00167 Rome
            ITALY 

• Manuscripts may be submitted directly by regular post without querying first, however we do not accept unsolicited manuscripts via e-mail. If you prefer to query first, please send an e-mail to Barbara Pezzopane, assistant editor, or George Lerner, foreign editor, at storie@tiscali.it.
  
• N.B.  STORIE only contacts writers if their work has been accepted for publication. However, STORIE reserves the right to briefly review pieces not published in a special column in the magazine, and submitting work to STORIE implies acceptance of this condition. Authors will be informed when a review of their work appears in STORIE.*

* Because of the quantity of manuscripts we receive, reviews often do not appear until a year after work is submitted.

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NEW ISSUE. STORIE n. 56 – Gregory Corso – Deluge
	“Deluge” is a previously unpublished poem written in 1988 in Rome. Gregory Corso would have turned seventy-five this year. He would have been the unlikely role-model for a purely nominal old-age. Friends, writers, scholars, people he ran into along the road gather here to wish his death a happy birthday, as Corso himself had it, and to celebrate both the poet and the man. FABRIZIO CRISAFULLI  “I’m Not a Vagabond” is a report of days spent between Rome and Catania, Sicily, seventeen years ago, from January to June ’88. That time when Gregory Corso was in Italy… MICHAEL SKAU “Frequently Able to Fly Beyond Gravitas”, an essay by professor Michael Skau—who studied under Corso, Ginsberg, and Burroughs at the Naropa Institute in 1975. Corso and his works in an overview which focuses on the poet’s relationship with Nature. Deluge, bomb, apocalypse and a man who can smile at all this.
GERALD NICOSIA Recollections of Corso from a dear friend close to many other Beat writers. One night in November 1980, “lessons” with Gregory… CARL MACKI  In Frisco’s Cafés with and without Gregory. Readings, drinks, and moody gibes. Snapshots of a bygone era, from those who remain. HERSCHEL SILVERMAN The poem “Song for Gregory”, written by a longtime associate of Allen Ginsberg and the Beats. DON’T TELL THEM STRAIGHT AWAY THAT I’M DEAD (by Roberto Santoro) Gregory Corso would have turned seventy-five this year. Four years ago, in Rome’s Non-Catholic cemetery, the unusual goodbye to his beat ashes. More... H. E. FRANCIS   "They Are Not You", a short story by the Rhode-Island-born writer whose works have been included in the Pushcart, O. Henry, and Best American Short Stories volumes. With an interview where H. E. Francis talks about his relationship with writing, cinema, painting and Hispano-American literature. In "Literabilia", DVDs, videotapes and CDs: Boris Vian, Fernando Pessoa, Charles Bukowski, Crispin Glover, Richard Buckley. Each poem, short story and essay featured in Storie – All Write are all previously unpublished both in Italy and in the rest of the world. Storie n. 56 – Gregory Corso. AA.VV. Bilingual edition, 156 pp. (Leconte Pr.). E 8,00 – $ 10  ISBN 88-88361-16-2 USA Distribution Water Row Books p.o. box 438 – Sudbury, MA. 00176. Waterrow@aol.com  *All short stories, poems and essays featured in Storie 52/53 are previously unpublished. Purchase on Amazon back

RECENT PUBLICATIONS.
STORIE 55
Lydia Lunch – Johnny Behind the Deuce
Bilingual edition (English-Italian)
With writings by: Susan Hayden, Giannina Braschi, Lynn Strongin, Sergio Gilles Lacavalla
Articles and Reviews: Allen Ginsberg, Pablo Neruda, Osvaldo Soriano, Tom Robinson, Umberto Eco.
Purchase on Amazon

STORIE 54
Joseph McElroy – On the Bias
Bilingual edition (English-Italian)
With writings by: Andrzej Zulawski, Attilio Del Giudice, James Ragan, Marco Briganti, Sandro Dionisio.
Articles and Reviews: Arundhati Roy, Jean Cocteau, Diamanda Galás, Serenella Bianchini, Edgar Allan Poe
Purchase on Amazon

STORIE 52/53
Ariel Dorfman – The Prey
Bilingual edition (English-Italian)
With writings by: Michael Hogan, Mary Caponegro, E.L. Freifeld.
Articles and Reviews: Bob Dylan, Angela Davis, Stephen King, Jim Carrol, Eddie Reader, Hubert Selby Jr.
Purchase on Amazon

STORIE 51
Joyce Carol Oates – The Fish Factory
Bilingual edition (English-Italian)
With writings by: Gerald Locklin, Jeffrey H. Weinberg, Lois Michal Unger, Massimo Lolli.
Articles and Reviews: Langston Hughes, Ernest Hemingway, Jello Biafra, Frank Olinsky.
Purchase on Amazon


STORIE 50
Murakami Haruki – Crab
Bilingual edition (English-Italian)
With writings by: Russell Banks, Rudy Rucker, Pablo Echaurren.
Articles and Reviews: Cesare Zavattini, J.R.R. Tolkien, Glen Duncan, Miguel De Cervantes, Giovanni Guareschi.
Purchase on Amazon


STORIE 49
André Brink – In a Violent World
Bilingual edition (English-Italian)
With writings by: André Brink, Paul Horsfall, Meri Nana-Ama Danquah, Githa Hariharan.
Articles and Reviews: Tennessee Williams, Jean Cocteau, Hermann Hesse.
Purchase on Amazon

STORIE 47/48
T. Coraghessan Boyle – Lake Cachuma, November 2003
Bilingual edition (English-Italian)
With writings by: T. Coraghessan Boyle, Graham Parker, Ved Mehta, Ellyn Maybe, Tommaso Ottonieri, Ira Cohen.
Articles and Reviews: W.H. Auden, Robert Frost, Delmore Schwartz, Vladimir Nabokov, Derek Jarman.
Purchase on Amazon

STORIE 46
Bulbul Sharma – in possession/ in possesso
Bilingual edition (English-Italian)
With writings by: Bulbul Sharma, Mary Morris, Anne Winters, Riccardo Duranti, Fulvio Panzeri, Ayse Lahur Kirtunc.
Articles and Reviews: Maya Angelou, Georges Perec, Pier Paolo Pasolini, Ernest Hemingway, Bill Moyers, Pablo Neruda, Georges Perec e Robert Bober.
Purchase on Amazon

STORIE 45
Maggie Estep – where the white horse lived/ dove viveva il cavallo bianco
Bilingual edition (English-Italian)
With writings by: Maggie Estep, Anamaría Crowe Serrano, Fausto Colombo, Sara Vannelli, Stefano Milioni, Maria Antonietta Nardone.
Articles and Reviews: Philip Roth, Toni Morrison, Howard Zinn, Michel Houellebecq, Mumia Abu-Jamal.
Purchase on Amazon

STORIE 44
Gerard Malanga – poetry in New York, today/ poesia a New York oggi
Bilingual edition (English-Italian, out of stock)
With writings by: Gerard Malanga, Lynn Strongin, Marco Mantello, Enrico Ratti. Interviews with: Vinicio Capossela, Nicola Lagioia.
Articles and Reviews: Pier Vittorio Tondelli, Saul Williams, Jorge Luis Borges, Gabriel Garcìa Màrquez, Jorge Amado.
Purchase on Amazon

STORIE 42/43: AFTERNOON ANTHOLOGY: What happened on April 19th 2001 from 5:50 to 6:00 PM? In this anthology—Storie’s first bilingual endeavor—140 writers from around the world tell us. With writings by Niccolò Ammaniti, Emanuele Bevilacqua, André Brink, Robert Coover, T. Coraghessan Boyle, Maggie Estep, Tess Gallagher, Carlo Lucarelli, Bulbul Sharma, and many others.
Purchase on Amazon

CATHEDRALS: Twenty years ago, on a train, Raymond Carver wrote “Cathedral”. A story based on the time his wife Tess’s blind friend came to visit them in their house in Syracuse. The same episode also inspired “Rain Flooding Your Campfire” by Tess Gallagher. The birth, fate and complete versions of two short stories that are a tribute to contemporary literature. With testimonies and previously unpublished writings.
Purchase on Amazon

All bilingual issues are available on Amazon.com


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ARCHIVES
The following is a synopsis of the content of Storie issues 1 to 41, which are in Italian only:

Storie 1: As for my hands, I can’t complain (in praise of the tactile sense). Writings by Francesco Rosi, Sandro Ciotti, Carlo Massarini, Oliviero Beha and Gabriele La Porta. Exclusive interviews with Tom Wolfe and Corrado Augias.

Storie 2/3: Schemes of flight (conjugations of the verb to flee). Writings by Teresa De Sio, Roberto Cotroneo, Renato Minore, Oliviero Beha, and Enzo Maiorca. Exclusive interviews with Lawrence Kasdan and Folco Quillici.

Storie 4: The decline of lunch (the twilight of a habit). Writings by Dario Bellezza, Aldo Carotenuto, Massimo Bucchi, Mario Capanna, and Oliviero Beha. Survey of those who get out of their cars while getting gasoline.

Storie 5: Fixed ideas (famous fixations and lifelong battles). Writings by Gregory Corso, Francois Truffaut, Enzo Maiorca and Mario Capanna. Exclusive interview with Sam Shepard.

Storie 6: An ideal day to misunderstand each other (arguments, divorces and misunderstandings). Writings by Teresa De Sio, Roberto Cotroneo, Oliviero Beha and Aldo Carotenuto. Exclusive interview with Robert Doisneau.

Storie 7/8: If this is a feast (celebrations that are no longer such). Writings by Enzo Moscato, Oliviero Beha, Marco Lodoli and Massimo Bucchi. Exclusive interview with Jack Nicholson. (OUT OF PRINT—only available in the Storie collection Nos. 1 to 16).

Storie 9: My life in the meantime (those who live waiting for something). Writings by Alessandro Bergonzoni, Roberta Cotroneo, Topor, Silvano Agosti and Gabriele la Porta. Exclusive interview with Paolo Rossi. (OUT OF PRINT—only available in the Storie collection Nos. 1 to 16).

Storie 10: The suffering never ends (perennial pains and defeats). Writings by Michele Serra, Teresa De Sio, Marco Lodoli and Silvano Agosti. Exclusive interview with Carlo Di Palma.

Storie 11: Men without… (incomplete, unrealized, misunderstood people). Writings by Roberto Cotroneo, Charles Bukoswki, Erri De Luca, Gesualdo Bufalino and Silvia Bre. Exclusive interview with Luigi Malerba and Luigi Grechi.

Storie 12/13: The last twenty years (since 1980, from Craxi to Berlusconi). Writings by Alessandro Bergonzoni, Piero Pelù and Mario Capanna. Exclusive interviews with Jorge Amado, Tonino Guerra and Renato Curcio. (OUT OF PRINT—only available in the Storie collection Nos. 1 to 16).

Storie 14: Collection of rage (cases of resentment). Writings by Francesco Rosi, Teresa De Sio, Roberto Cotroneo, Massimo Bucchi and Silvano Agosti. A previously unpublished poem by Charles Bukowski. Exclusive interview with Gabriel Garcìa Marquez.

Storie 15: Rational mourning (irrational men, things and events). Writings by Topor, Sandro Ciotti, Tonino Guerra and Marco Lodoli. Exclusive interview with Camilo José Cela.

Storie 16: The big foot (overbearing forms). Writings by Alessandro Bergonzoni, Mario Capanna, Silvia Bre, Massimo Bucchi and Silvano Agosti. Exclusive interview with Erri De Luca.

Storie 17/18: Life during the war (what others do while people are dying). Writings by Roberto Cotroneo, Nando Dalla Chiesa, Elvio Porta, Topor and Massimo Bucchi. Exclusive interviews with Julio Cortazar, Assalti Frontali and Oliver Stone.

Storie 19: Contrary evidence (refutable phenomena). Writings by Michelangelo Antonioni, Dacia Maraini, Silvano Agosti, Topor and Massimo Bucchi. Exclusive interviews with Tahar Ben Jelloun and Franco Citti.

Storie 20: The rope-walkers (balancing men and things). Writings by Antonio Tabucchi, Michelangelo Antonioni, Emanuele Bevilaqua, Pietro Consagra and Turi Caggegi. Exclusive interviews with Claude Levi-Strauss, Marco Tullio Giordana, Marcello Baraghini, Almamegretta, Stephen Frears and Jon Amiels.

Storie 21: The disorient (bewilderment or the quest for a destination). Writings by Susanna Tamaro, Marco Lodoli and Mario Capanna. Interviews with Najib Mafouz, Vincenzo Sparagna and Sandro Veronesi. Complementary copy of the book Moti a luogo, 27 travel stories by readers.

Storie 22/23: They’re lying (the art of the lie). Writings by Roberto Cotroneo, Teresa De Sio, Michelangelo Antonioni and Toti Scialoja. Interviews with Ernesto Sabato, Abbas Kiarostami and Frankie hi-nrg.

Storie 24: The discovery of the gait (the road towards a purpose). Writings by Roberto Cotroneo, Edoardo Sanguineti, Emanuele Bevilacqua, Elvio Porta and Enrico Baj. Interviews with Carlo Mazzacurati, Marcello Veneziani, Walter Siti, Toti Scialoja, Miguelk Barnet and Enzo Avitabile.

Storie 25: The black box (extreme mysteries). Writings by Marco Lodoli, Edoardo Sanguineti, Roland Topor and Claudio Damiani. Interviews with Manu Dibango and Roberto Faenza. Complementary copy of the book Why Caio Morelli has been shut up his house for three days, nine short stories selected from Storie’s Journalism and Narrative Writing Workshop.

Storie 26: The break (the art and purpose of pausing). Writings by Michelangelo Antonioni, Roberto Cotroneo, Silvano Agosti, enrico Baj and Masimo Bucchi. Interviews with paco Ignacio Taibo II, Antonio Albanese and Sud Sound System.

Storie 27/28: More questions than answers (special anthology issue: the best of “Storie”). Writings by Michele Serra, Marco Lodoli, Teresa De Sio, Dario Bellezza and Tonino Guerra. Interviews with Francesco guccini, Jorge Amado, Oliver Stone, Folco Quillici and many others.

Complementary copy of the book Maternale vol. II, eight interviews with mothers selected from Storie’s Journalism and Narrative Writing Workshop.

Storie 29: Blood (what remains of a trauma). Writings by Edoardo Albinati, John Giorno, Silvano Agosti, Massimo Bucchi and Paolo Del Colle. Interviews with Wilma Labate and 99 Posse.

Storie 30: The official slave (women without freedom). Writings by Marco Lodoli, Silvia Bre, Claudio Damiani, Massimo Bucchi and Mark Mothersbaugh. Interviews with Claudio Piersanti and Giuseppe Piccioni. Complementary copy of the book The Outcasts, nine short stories about racism and juvenile delinquency selected from Storie’s Journalism and Narrative Writing Workshop.

Storie 31: Somewhere else (other souls, other worlds). Writings by John Giorno, Roberto Cotroneo, Mario Capanna and Silvano Agosti. Interviews with Ferdinando Camon and Luis Sepulveda. Complementary copy of the book All in a Room, nineteen short stories selected from Storie’s Journalism and Narrative Writing Workshop.

Storie 32/33: At this point, tell us why (obscure places and reasons). Writings by Michelangelo Antonioni, Giulio Mozzi, Sandro Ciotti, Massimo Bucchi and Vincenzo Sparagna. Complementary copy of the book The Outcasts vol. II, eight short stories about racism selected from Storie’s Journalism and Narrative Writing Workshop.

Storie 34: Never started (broken promises). Writings by Edoardo Albinati, Marco Bellocchio, Roberto Cotroneo, Gianfranco De Maio and Sabrina Lucatelli. Interviews with Joyce Lussu, Melania G. Mazzucco, Sergio Bonelli, Almamegretta and Athos Bigongiali. omplementary copy of the book Same Blood, ten domestic chronicles selected from Storie’s Journalism and Narrative Writing Workshop.
Storie 35: Homemakers (literature and psychology of the governess). Writings by Marco Lodoli, Silvano Agosti, Eugenio Finardi, Alberto Ruggeri, Vittorio Cosma. Interview with Aleida Guevara March.

Storie 36: Reading protects from bad weather Raymond Carver, Teresa De Sio, Massimiliano (the art of reading).Writings by Governi, Fernando Arrabal, SilvanoAgosti. Interviews with Tess Gallagher and Edoardo Albinati.

Storie 37/38: Veronica in center field (minor stories about major sports).Writings by Sandro Ciotti, Silvia Bre, Marco Lodoli. Interview with Franco Fava.

Storie 39: I said to myself (let’s talk about me—or rather, the autobiography). Writings by Adam Bellow, Francois Truffaut, Romano Giachetti, Marco Bellocchio, Alessandro Bergonzoni. Interview with Walter Siti and Carlo Lucarelli. (OUT OF PRINT)

Storie 40: Small belated masters (a brief journey through the submerged and silent books of the twentieth century).Writings by Niccolò Tucci, Pier Paolo Pasolini, Gianni Amelio, Stefano Malatesta, Enrico Alfredo Masino. Interview with Luigi Baldacci.

Storie 41: Third, fourth, fifth person (praise and destiny of our protagonists). Writings by Luisa May Alcott, Vanessa Bell, Giovanni Mariotti, Roberto Alajmo. Interviews with Giuseppe Pontiggia, Peppe Lanzetta, Pia Pera.


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SUBSCRIPTIONS & BACK ISSUES. You like words? Turn them into actions: subscribe!

One year (six issues): euro 31 (Italy) - euro 44 (Europe) - $ 60 (America, Africa, Asia, Oceania)
Contributing subscriber: euro 52 (Italy) - euro 78 (Europe) - $ 85 (America, Africa, Asia, Oceania)
Back issues: euro 8 (Italy) - euro 11 (Europe) - $ 15 (America, Africa, Asia, Oceania)
Single copy: euro 6,20 (Italy) - euro 9,20 (Europe) - $ 10 (America, Africa, Asia, Oceania)

PRICES AND PAYMENT

1 back issue.................. euro 8
2 back issues................... euro 13
3 back issues ................... euro 17
4 back issues................... euro 21
5 back issues................... euro 26
Box set................... euro 83 (includes Storie 1 to Storie 16)

To place an order wire the full amount to account 57331019 to the order of
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STORIE ARCHIVE (an index ragionné) ...in preparation

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